
When electric light was a scary idea
A book explores why people took decades
to plug into having current in their homes.
Reviewed by Richard Di Dio
Dark Light
Electricity and Anxiety From the Telegraph to the X-Ray
By Linda Simon
Harcourt. 368 pp. $25
Snap, crackle, zzzzzap! Electric power lines hum with menace
after a heavy storm, sparking a foresty fragrance of ozone incongruous
with the raw danger of high voltage. You rush inside to the
security of your home.
But what if it's scarier inside? Not because it's dark, but
because there is light?
Linda Simon's Dark Light: Electricity and Anxiety From the
Telegraph to the X-Ray is a unique analysis of that time
when homes were first illuminated with incandescent light. An
era of rapid technological innovation amid media predictions
of the utopian benefits of electrification, it was also a time
when the average citizen was more comfortable having electrodes
attached to private body parts than turning on a lightbulb.
Dark Light describes the stunning advances in the uses
of electricity during the second half of the 19th century, yet
is more social history than scientific. Simon, an English professor
at Skidmore College, distills contemporary reporting and forgotten
novels into a penetrating study of the rise in depression and
nervous anxiety that hovered over these decades of progress.
She assigns the blame to electricity itself:
Electricity was temptress and seducer, feared and coveted,
a force that could animate life or inflict death. Electrification
threatened a public who treasured shadows and secrets, and who
yearned for a universe in which "wild facts" preserved a feeling
of wonder. What electricity generated most pervasively was anxiety.
This anxiety was a major factor in the slow acceptance of home
electrification. Even with newspaper accounts trumpeting the
life-improving benefits of Edison's inventions, only 20 percent
of U.S. homes had been wired 40 years after the 1879 invention
of the incandescent bulb. Why then did the public enthusiastically
accept disturbingly bizarre electrical therapies for every ailment
from gout to sexual dysfunction?
To explain this paradox, Simon analyzes the technological breakthroughs
that began with Morse's telegraph in 1844 and culminated in
Roentgen's 1896 discovery of X-rays in the context of the philosophical
positions, phobias, and fads of those years. Vitalism, spiritualism,
mesmerism, phrenology and proto-psychology provide the cultural
substrate in which Edison and electrotherapist George Beard
- Simon's principal protagonists - work their electrical magic.
The effects of this technology/mind melding led to the belief
that electricity provided life's vital force, and was a danger
to health and soul when used in the home. Doctors, however,
carried certifications - many of dubious value - in clinical
electricity and could be trusted to prescribe the appropriate
electrical bath for one's chilblains.
Simon's arguments are bolstered by the literature of the time.
Using once-popular but now little-read stories of Twain, L.
Frank Baum, Poe and others, Simon shows that the apocalyptic
results of electrification were a familiar literary theme.
While effective in outlining her thesis, these fictional passages
are not as illuminating as the actual stories of this era. Scenes
of the incandescent 1893 Chicago World's Fair, the public electrocution
of dogs - demonstrations of the danger of Westinghouse's alternating
current and the beneficence of Edison's direct current - and
the grim tales of the first electric chair conjure up a time
in America of strange forces at work, unknowable by all except
the high priests of electricity. Small wonder that neurasthenia,
the now obsolete clinical term overused for all forms of depression
and nervous anxiety was ever-present, and treatable by judicious
applications of electric current.
Simon's fascinating story is resonant today because we have
inherited the legacy of the electrical age. Our "pattern of
responses to new technologies that allure, threaten, and urge
us to reinvent our sense of self" must be accounted for as we
continue inexorably down the technological path that began with
Morse's telegraph.
Richard Di Dio
teaches mathematics and physics at La Salle University.
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